Comparto con vós este fermosísimo video de Xosé Iglesias e vos recomendo que o sigades no facebook onde cada día comparte os seus didácticos e espectaculares videos dende o seu barco, o "Primero Villar" dende onde tamén escribiu os 60 poemas que compoñen o seu novo traballo "A relixión do Mar".
Con sorte, poderei entrevistalo axiña para que poidamos disfrutar da súa sabidoría e da inmensidade da súa poesía. Non o perdades!
Xosé Iglesias is (as he says himself) only a humble fisherman of A Coruña and he is also a poet. He has just published a new book of poems: "A relixión do mar" (The religion of the Sea") with 60 poems written on board his boat "Primero Villar"
Through his poems he speaks about his job and transmits a world full of feelings; he also shares in FB terrific videos from the Sea. I know that many of you don't understand Galego, but, the beauty of the sound and images of this video deserve to be shared. Hope you like it.
Two organisations emerged losers after the Scottish 2014 independence referendum. YES Scotland won praise after narrowly failing to overturn a thirty point deficit. The other loser was the BBC. The British State broadcaster sacrificed its reputation in return for a narrow win for the No campaign. London Calling captures the descent of the BBC during Scotland's historic referendum period. A two year orgy of spin, deceit, manipulation and corruption has been packaged into a powerful seventy minute documentary exposé. Thought you could trust the BBC? Prepare to be shocked.
The documentary exposing the BBC's behaviour during the indyref is now online. https://t.co/ty7H0c2Gy8
Duas organizacións resultaron perderoras logo do referendo de independencia en 2014. Yes Scotland gañou mérito despois de virar en 30 puntos as previsións. A outra perderora foi a BBC. A canle do Estado británico sacrificou a súa reputación a cambio dunha estreita vitoria para a campaña do NON. "London Calling" captura a caída da BBC durante o período histórico do referendo escocés. Unha orxía de dous anos de sesgo, engano, manipulación e corrupción resumense nuns potentes setenta minutos de exposición documental. Pensache que podías confiar na BBC? Prepárate para entrar en shock.
A BBC, presentada sempre como exemplo informativo, xogou un papel fundamental contra a independencia escocesa. George Ponsonby escribiu "London Calling: how the BBC stole the Referendum" (Londres chama: como a BBC roubou o referendo), explicando con todo luxo de detalles a manipulación, as mensaxes subliminares, o sesgo que durante dous anos levou a cabo unha canle supostamente independente e neutral, funcionando como maquinaria propagandística do Goberno de Reino Unido e do unionismo. Recoméndovos totalmente este video baseado no libro de George e que agora ve a luz, e que expón unha vez mais, a necesidade de ter prensa independente e de calidade sempre que se queira buscar equilibrio nos debates. Que o disfrutedes
As Asociacións de bares e pubs de Compostela convídannos a aportar o noso grao de area para gañar a batalla contra a manipulación política e o acoso e campaña mediática que xornais como El Correo e La Voz levan a cabo.
Está en xogo a súa subsistencia, polo que vos animo a pasarvos polos pubs, ler o seu manifesto e asinar.
Eu dende logo, fareino. Ánimo e adiante.
Deixovos aquí este video cunha pequena explicación do abuso e do acoso ao que levan expostos dende os últimos anos.
Presentación do disco-libro Talabarte Fake na Fundación Granell o 18 de novembro de 2016. Grazas a Douglas Naismith que fixo a tradución dos textos de galego a inglés, por este video e fotos.
Presentation of the book-disc Talabarte Fake at Fundación Granell (Compostela) on the 18th of November. Thank you to Douglas Naismith, who translated the texts of the book from Galician into English, for this video and photos
"Monster
seems like an exaggerated denomination for such a pacific and adorable being as
Nessie. Sure neither is it very clear who Nessie really is: a prehistoric
being? A disproportionate crocodile? Or simply some sort of gigantic lamprey?
We only know that it has lived in the depths of Loch Ness, in Scotland, since
the beginnings of time, in pacific existence in which no known human attack has
been recorded. Its sightings are as sporadic as timid, distant photographs that
hardly allow a guess of a head in the shape of a periscope that sticks out to
check if everything was in order, or not; the tip of an iceberg, in short, of a
being of colossal dimensions that in spite of not wanting to be the centre of
attention, has generously fed the tourist industry of Inverness-shire for more
than a century.
There are
those who say that Nessie will finally surface one day and settle on land, on
free land, the day that Scotland decides in a referendum to her independence
from the oppressive British yoke. But as myths exist for all tastes, there are
those that also say the Loch Ness Monster doesn’t exist, and that the famous
photo taken by the surgeon R.K.Wilson in 1934 in the Daily Mail, was a lie,
barely one of the pioneering episodes of the sensationalist British press in its
frenzied competition to sell papers.
Recently,
some divers confirmed, to the surprise of the world, the existence of the
remains of Nessie in the depths of the loch. It wasn’t the original monster,
but more like its double, an enormous mechanical creature created for the film
“The private life of Sherlock Holmes” by Billy Wilder that, victim of the
excessive ambition of the producers, couldn’t keep hold of its two iron humps
and ended up sinking forever to the depths of Loch Ness.
For the authentic
Nessie, it must be fun to observe on its solitary swims through the cold waters
of the loch, the ruin of its ridiculous ironwork parody: or to stick its head
out of the surface to find out if its beloved Scotland is finally independent or
not from the United Kingdom.
What’s not
so much fun for Nessie, however, is the solitude of someone who doesn’t have a
companion with whom to share their existence. And this is the true drama of
Nessie because monsters have hearts too and Nessie, in particular, is all heart
and is very lonely in the cold waters of Loch Ness. And because everyone wants
to see Nessie, but never to ask her how she is, how she’s feeling, what she
needs …"
O 13 de novembro de 2016 a Banda de Música de Santiago de Compostela interpretou por primeira vez a obra do meu avó paterno,o mestre Ricardo Fernández Carreira: Cuadros Campestres.
On the 13th of November the Santiago de Compostela Band of Music played for the very first time a piece by my Grandpa Ricardo Fernández Carreira: Cuadros Campestres (Countryside scenes)
Aquí vos deixo algúns videos. O primeiro da presentación do acto que fixo Beatriz Cancela; o segundo da introducción feita polos irmáns Cancela da obra do meu avó e interpretación da Banda de Música.
Here you have some videos. The first of them is the presentation of the event by Beatriz Cancela; the second is the introduction by Beatriz and Alberto Cancela (musicologists) of my Grandpa's piece followed by the Band's performance.
You can watch the rest of the magistral concert on my FB page "O mundo de Pilar-Aymara" (Pilar-Aymara's world)
En nome da familia, moitísimas grazas, de corazón a Beatriz y Alberto Cancela, e por suposto, aos membros da Banda de Música da que o meu avó foi Director.
Thank you so much to Beatriz Cancela and Alberto Cancela and indeed, to the members of the Band of Music of which my grandfather was Director
My comment on #USElection - 'today is a moment for all of us who believe in tolerance and diversity to speak up for the values we hold dear' https://t.co/OkihVnuBp6
Andrew Rosindell, the MP for Romford suxeriu que a BBC1 emitise, ao final da xornada informativa de cada día, o hino británico "God Save de Queen" para celebrar o Brexit.
BBC Newsnight tomoulle a palabra e emitiu a versión do Sex Pistols do hino británico. O video convertiuse en viral, por suposto. Aquí volo deixo, disfrutádeo.
Tory MP calls for BBC 1 to mark Brexit with national anthem at the end of each day https://t.co/jvYuxGUVST
